Basbousa

Director

Theatre

BASBOUSA

YOUNG, GIFTED AND BLACK WORKSHOP PRESENTATION

May 29 & 30 @ Factory Theatre. Free tickets available here!

As the April 2023 conflict breaks out in Sudan, Adama in Toronto makes urgent phone calls to her grandmother Rania living in Khartoum. Basbousa is a story about the recipes we inherit, the homes we carry within us, and the impossible choices families make in times of crisis.

Creative Team
Abigail Whitney – Director, Co-creator
Ghislan Sutherland-Timm – Set, Props & Puppetry Designer, Co-creator
Nála Simone Lendor – Costume & Puppetry Designer, Co-creator
Stephon Smith – Sound Designer, Co-creator
Lilian Adom – Lighting Designer (YGB 24/25)
Meryem Alaoui – Movement Consultant
Mwahib Azreg – Cultural Consultant
Robert Harding – Stage Manager
Aden Altamirano – Production Manager / Technical Director
Curtis Whittaker – Head Carpenter
ciaran brenneman – Head of Props

Cast
Bola Aiyeola – Grandma Rania
Megan Legesse – Adama

Creation Residency d’bi.young anitafrika

Young Gifted and Black is generously sponsored by:

Obsidian Theatre’s Season Sponsor: TD Bank Group;

Program Sponsors: Catapult/Rideau Hall Foundation, Scotiabank, Toronto Arts Council Strategic Fund and the Foundation for Black Communities

Venue Sponsor: Factory Theatre, Toronto Alliance for the Performing Arts (TAPA)

About Young, Gifted, and Black

Young, Gifted, and Black is Obsidian Theatre’s arts training program dedicated to supporting Black theatre practitioners in non-performance disciplines. This four-month intensive explores Black diaspora theatre and performance aesthetics. YGB practitioners will benefit from mentorship, masterclasses, and apprenticeships, with the program culminating in a collective-creation devised, directed, and designed by the YGB cohort.

About Obsidian Theatre

Obsidian is Canada’s leading culturally specific theatre company. Our threefold mission is to produce plays, to develop playwrights and to train emerging theatre professionals. Obsidian is passionately dedicated to the exploration, development, and production of the Black voice.

Obsidian produces plays from a world-wide canon focusing primarily, but not exclusively, on the works of highly acclaimed Black playwrights. Obsidian provides artistic support, promoting the development of work by Black theatre makers and offering training opportunities through mentoring and apprenticeship programs for emerging Black artists.

Photos by Elana Emer

Audience Reactions

What people are saying

“Something Ive been thinking a lot about lately is “art is political” and I find that theatre especially can do a great job of bridging the collective experiences of the world with individual perspectives. With this piece you (and the entire team) did such a wonderful job of staging that, so thank you for the story! Like with The Noose, I think your creative choices are so powerful - genuinely! The part where we sit in darkness with the sounds of war surrounding us was definitely one of them. Another thing that stood out to me creatively was the use of space - the two separate living rooms, but with a shared kitchen - such a beautiful choice! I also really enjoyed the shadow-play behind the screens - so many thoughtful elements that came together to tell a heavy and real story. ”

Kalina Popova

Costume Designer

“I was greatly privileged to be able to witness the Saturday matinee performance of Basbousa and cannot express enough how moved I was by the play. The story itself, being centred around a woman's relationship to her grandmother in Sudan was already so sweet. I loved how they navigated tense subjects of family and relationship while making Basbousa together over the phone. I remember feeling a little tense with my present knowledge of the situation in Sudan and then, when the play got to that part, the artistic choices to both make the moment so real and also care of the audience was greatly appreciated. Aside the story itself, the set design, costume choices, the shadow puppetry, lighting design, and especially the sound design were so impactful in their own ways, allowing me to get lost in the show. It was no surprise that at the end, there was not a single dry eye in the audience,”

Kobena Ampofo

“Phenomenal piece of art! Bought me to tears. Stories like this one are important to share to spread awareness about the ongoing Sudan crisis, and it’s put together so beautifully. 10/10 piece of work. ”

Zeena Abdelbasit

“Basbousa creatively showed the complexities of familial relationships surviving difficult circumstances. The play beautifully displayed the parallelism and symbolism between the two roles, showing the strength and fragility of the connection. ”

Leen Abdelbasit

“A stunning masterpiece of generational connection. A show that stays with you, with thespians who embodied the soul of the characters, stunning audiovisuals”

Sierra Nallo

“Heartfelt and heartbreaking, a timely exploration of displacement and motherhood and belonging, and the fragmentation of the experiences of those who are born in a country different from that of their ancestors. When the internet was cut, and when phone lines were blocked, tactics which are used by various entities, the timeliness and effect of the work on me struck deeper than I ever could have imagined. ”

Armon Ghaeinizadeh

“The play was amazing, I laughed, got emotional and enjoyed the music. If you’re Sudanese you must have been related watching this show no matter if you are a male or female, I enjoyed so much to the point I want to be on the stage and cheer up. thank you for creating this.”

Solo Shareef

“It felt very sincere like you were there with them. The acting didn’t seem like acting it seemed like you were there witnessing real life. The script was rich and emotional. I enjoyed the silhouette shadow story telling. It was also very funny. Such a fantastic play!!! Also a perfect balance of creative/artsy theatre with truthful and honest. Great content. ”

Marika Maclean

“This was a wonderful experience. Thank you so much for the YGB showcase. We truly were inspired.”

Scores in The City Musical Productions

“Something Ive been thinking a lot about lately is “art is political” and I find that theatre especially can do a great job of bridging the collective experiences of the world with individual perspectives. With this piece you (and the entire team) did such a wonderful job of staging that, so thank you for the story! Like with The Noose, I think your creative choices are so powerful - genuinely! The part where we sit in darkness with the sounds of war surrounding us was definitely one of them. Another thing that stood out to me creatively was the use of space - the two separate living rooms, but with a shared kitchen - such a beautiful choice! I also really enjoyed the shadow-play behind the screens - so many thoughtful elements that came together to tell a heavy and real story. ”

Kalina Popova

Costume Designer

“I was greatly privileged to be able to witness the Saturday matinee performance of Basbousa and cannot express enough how moved I was by the play. The story itself, being centred around a woman's relationship to her grandmother in Sudan was already so sweet. I loved how they navigated tense subjects of family and relationship while making Basbousa together over the phone. I remember feeling a little tense with my present knowledge of the situation in Sudan and then, when the play got to that part, the artistic choices to both make the moment so real and also care of the audience was greatly appreciated. Aside the story itself, the set design, costume choices, the shadow puppetry, lighting design, and especially the sound design were so impactful in their own ways, allowing me to get lost in the show. It was no surprise that at the end, there was not a single dry eye in the audience,”

Kobena Ampofo

“Phenomenal piece of art! Bought me to tears. Stories like this one are important to share to spread awareness about the ongoing Sudan crisis, and it’s put together so beautifully. 10/10 piece of work. ”

Zeena Abdelbasit

“Basbousa creatively showed the complexities of familial relationships surviving difficult circumstances. The play beautifully displayed the parallelism and symbolism between the two roles, showing the strength and fragility of the connection. ”

Leen Abdelbasit

“A stunning masterpiece of generational connection. A show that stays with you, with thespians who embodied the soul of the characters, stunning audiovisuals”

Sierra Nallo

“Heartfelt and heartbreaking, a timely exploration of displacement and motherhood and belonging, and the fragmentation of the experiences of those who are born in a country different from that of their ancestors. When the internet was cut, and when phone lines were blocked, tactics which are used by various entities, the timeliness and effect of the work on me struck deeper than I ever could have imagined. ”

Armon Ghaeinizadeh

“The play was amazing, I laughed, got emotional and enjoyed the music. If you’re Sudanese you must have been related watching this show no matter if you are a male or female, I enjoyed so much to the point I want to be on the stage and cheer up. thank you for creating this.”

Solo Shareef

“It felt very sincere like you were there with them. The acting didn’t seem like acting it seemed like you were there witnessing real life. The script was rich and emotional. I enjoyed the silhouette shadow story telling. It was also very funny. Such a fantastic play!!! Also a perfect balance of creative/artsy theatre with truthful and honest. Great content. ”

Marika Maclean

“This was a wonderful experience. Thank you so much for the YGB showcase. We truly were inspired.”

Scores in The City Musical Productions

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